Produced by
| Andy Frain | . | executive producer |
| Laurence Guinness | . | associate producer |
| Makoto Ibuki | . | associate producer |
| Mitsuhisa Ishikawa | . | producer |
| Ken Iyadomi | . | producer |
| Ken Matsumoto | . | producer |
| Teruo Miyahara | . | executive producer |
| Yoshimasa Mizuo | . | producer |
| Takashi Mogi | . | executive producer |
| Yasushi Sukeof | . | associate producer |
| Shigeru Watanabe | . | executive producer |
| Hiroshi Yamazaki | . | associate producer |
Music by
Cinematography by
| Hisao Shirai | . | director of photography |
Film Editing by
Production Design by
Art Direction by
Production Management
| Ryuji Mitsumoto | . | production manager |
Art Department
| Makiko Kojima | . | ink and paint: Production I.G. |
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Sound Department
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| Arman Boyles | . | sound mix assistant |
| Les Claypool III | . | additional sound effects (as Les E. Claypool) / post-production sound supervisor (as Les E. Claypool) |
| Shuji Inoue | . | sound recording engineer |
| Kurt Kassulke | . | re-recording mixer |
| Hironori Ono | . | sound effects assistant |
| Paul Ratajczak | . | re-recording mixer |
| Kazutoshi Satô | . | sound effects (as Kazutoshi Satou) |
| Kazuhiro Wakabayashi | . | sound director |
| Akira Yoda | . | sound associate |
| Masatoshi Yokomizo | . | sound associate |
Special Effects by
| Mutsu Murakami | . | special effects |
Visual Effects by
| Tetsuo Kaneko | . | opticals |
| Masao Shibata | . | opticals |
Animation Department
| Masahiro Andô | . | animator |
| Koichi Arai | . | animator |
| Masatsugu Arakawa | . | animator (as Shinji Arakawa) |
| Miho Asatani | . | inbetween artist: Production IG |
| Hisashi Eguchi | . | animator |
| Toyoaki Emura | . | animator |
| Masumi Ezaki | . | inbetween artist: Production IG |
| Satoi Fujiwara | . | inbetween artist: Production IG |
| Keiko Hagimori | . | inbetween artist: DR Movie |
| Hideki Hamazu | . | animator |
| Takashi Hashimoto | . | animator |
| Sachiyo Hiraide | . | inbetween artist: DR Movie |
| Shûichi Hirata | . | background artist |
| Kazuya Hoshi | . | animator |
| Hisashi Ikeda | . | background artist |
| Katsumi Ikeda | . | inbetween artist: Production IG (as Katsuki Ikeda) |
| Seong-kim Im | . | inbetween artist: DR Movie |
| Toshiyuki Inoue | . | animator |
| Akiharu Ishii | . | animator |
| Mitsuo Iso | . | animator |
| Yoshiyuki Itô | . | animator |
| Hiroyo Izumi | . | inbetween artist: Production IG |
| Masatoshi Kai | . | background artist |
| Yûko Kami | . | inbetween artist: Production IG |
| Shôji Kawamori | . | mechanical designer |
| Kumiko Kawana | . | animator |
| Hirotsugu Kawasaki | . | animator |
| Moon-hee Kim | . | inbetween artist: DR Movie |
| Soon-ah Kim | . | inbetween artist: DR Movie |
| Yoon-sook Kim | . | inbetween artist: DR Movie |
| Kazuchika Kise | . | animator / key animation supervisor / layout artist |
| Kôji Komurakata | . | animator |
| Yûko Koyama | . | inbetween artist: Production IG |
| Jae-sook Lee | . | inbetween artist: DR Movie |
| Seok-min Lee | . | inbetween artist: DR Movie |
| Nobuko Mizuta | . | cel checker |
| Namiko Mori | . | inbetween artist: Production IG |
| Yasushi Muraki | . | animator |
| Kayoko Nabeta | . | inbetween artist: Production IG |
| Akiko Nagashima | . | inbetween artist: Production IG |
| Mika Nakabayashi | . | inbetween artist: Production IG |
| Rieko Nakai | . | inbetween artist: Production IG |
| Tamaki Nakatsu | . | assistant to animation director |
| Mizuho Nishikubo | . | animation director (as Toshihiko Nishikubo) |
| Hiromasa Ogura | . | background artist |
| Tensai Okamura | . | animator |
| Hiroyuki Okiura | . | animator / character designer / key animation supervisor / layout artist |
| Tetsuhito Saitô | . | animator |
| Mamoru Sasaki | . | animator |
| Masahiro Satô | . | inbetween artist: Production IG |
| Kanami Sekiguchi | . | inbetween artist: Production IG |
| Mitsumi Shitani | . | inbetween artist: Production IG |
| Yasumitsu Suetake | . | layout artist |
| Itsuko Takeda | . | inbetween artist: Production IG |
| Yôji Takeshige | . | background artist |
| Kyôko Taketani | . | inbetween artist: Production IG |
| Atsushi Takeuchi | . | animator / layout artist / mechanical designer |
| Yûichi Tanaka | . | animator (as Yuichi Tanaka) |
| Manabu Tanzawa | . | animator |
| Takashi Watabe | . | background designer / layout artist |
| Keiko Watanabe | . | inbetween artist: DR Movie |
| Sawako Yajima | . | inbetween artist: Production IG |
| Yayoi Yamashita | . | cel checker |
| Yoshio Yamazaki | . | inbetween artist: Production IG |
| Miyako Yatsu | . | animator |
| Masayuki Yoshiwara | . | animator |
| Kumiko Yusa | . | color setter |
| Hiroyoshi Ôkawa | . | animator |
| Yasuhiro Ôshima | . | animator (as Yasuhiro Ohshima) |
Editorial Department
| Hiroaki Hirabayashi | . | color timer |
| Takeshi Imai | . | assistant editor |
| Staci Vice | . | assistant editor |
| Shigeyuki Yamamori | . | assistant editor |
| Yayoi Ôtake | . | assistant editor |
Other crew
| Mamoru Akimoto | . | production scheduler |
| Mary Claypool | . | adr script (as Mary Mason) |
| Danielle Garnier | . | publicity staff: publicity |
| Paul C. Halbert | . | translator: English |
| Nobuhiro Hayashi | . | translation coordinator |
| Mitsuo Iso | . | weapons designer |
| Naoki Kanazawa | . | video effects |
| Hirokazu Karasawa | . | weapons advisor |
| Yumiko Katayama | . | color section |
| Ayako Koike | . | title designer |
| Megumi Maeda | . | production scheduler |
| Yutaka Maseba | . | translation coordinator |
| Haruo Mizuno | . | production coordinator |
| Toru Nozaki | . | advertising |
| Kikuo Nôtomi | . | weapons advisor |
| Shuichi Satou | . | color section |
| Kevin Seymour | . | adr script (as Quint Lancaster) / voice director (as Quint Lancaster) |
| Teruhisa Tajima | . | title designer |
| Shigeyuki Tsuchida | . | video effects |
| Taro Yoshida | . | translation coordinator / translator: English |
| Tomio Yoshioka | . | international coordinator |
In the year 2029, the world has become interconnected by a vast electronic network that permeates every aspect of life. That same network also becomes a battlefield for Tokyo's Section Nine security force, which has been charged with apprehending the master hacker known only as the Puppet Master. Spearheading the investigation is Major Motoko Kusanagi, who -- like many in her department -- is a cyborg officer, far more powerful than her human appearance would suggest. And yet as the Puppet Master, who is even capable of hacking human minds, leaves a trail of victims robbed of their memories, Kusanagi ponders the very nature of her existence: is she purely an artificial construct, or is there more? What, exactly, is the 'ghost' -- her essence -- in her cybernetic 'shell'? When Section Six gets involved in the case, she is forced to confront the fact that there is more here than meets the eye, and that the Puppet Master may hold some of the answers she seeks. But little does she know that he has been seeking her as well. ~ Emru Townsend, Rovi
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Ghost in the Shell
In the year 2029, advances in Cybernetics allow people to replace nearly all of their body parts and organs with robotics. Through these prosthetics, the weak are made strong, and the dying are given new life. Public Security Section 9 of Niihama City (a fictional setting inspired by Hong Kong), a diverse team of AI, cyborgs and unmodified humans, must investigate cases of corruption and terrorism. Major Motoko Kusanagi has full-body prosthetics, owing to a childhood accident. She, her second in command Batou and information specialist Ishikawa have been assigned an important task: to investigate a hacker known only as 'The Puppetmaster.' But as Motoko and her team discover, things are never so simple.
Ghost in the Shell is a futuristic thriller with intense action scenes mixed with slower artistic sequences and many philosophical questions about one's soul, gender and human identity in such an advanced age of technology.
Also known as:Ghost in the Shell, Koukaku Kidoutai, GHOST IN THE SHELL（攻殻機動隊）
Genres:ActionSci-FiPolicePsychologicalMechaSeinen
Ghost in the Shell Stand Alone Complex 2nd GIG
Following the closure of the 'Laughing Man' case, Section 9 is re-established by Japan's newly elected Prime Minister, Youko Kayabuki, to combat the persistent threat of cyber-terrorism.
A group calling themselves..
Ghost in the Shell 2.0
In the year 2027, a year following the end of the non-nuclear World War IV, a bomb has gone off in Newport City, killing a major arms dealer who may have ties with the mysterious 501 Organization. Public Security official Daisuke Aramaki hires..
Ghost in the Shell S.A.C. Tachikomatic Days
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Tachikomatic Days is a series of comedic shorts attached to the end of every episode of Ghost in the Shell: Stand Alone Complex. How to use manual table of contents in word mac 2016. The shorts feature the antics of the Tachikoma think tanks of Section 9 and usually involve plot points. The average..
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